8th Day of Combined Annual Training Camp 53 (CATC 53) Cum Yuva Aapda Mitra Scheme (YAMS) Camp At Saheed Bhagat Singh Youth Hostel.

Agartala, Tripura, 2nd of July, 2025 : 8th Day of Combined Annual Training Camp 53 (CATC 53) Cum Yuva Aapda Mitra Scheme (YAMS) Camp At Saheed Bhagat Singh Youth Hostel.

The Combined Annual Training Camp (CATC-53) for approximately 500 NCC Senior Div / Junior Div and Senior Wing / Junior Wing cadets of entire Tripura state Started from 25th June 2025 to 04th July 2025 at Saheed Bhagat Singh Youth Hotel, Agartala. It is basically aimed at cadets of second and third year NCC who are eligible for ‘B’ and ‘C’ certificates and also for cadets from Schools who are eligible for ‘A’ Certificate.

Zumba / Volley Ball

Cadets started their day with a morning zumba session along with volleyball practice for the JWs , the damcing session helped cadets refresh their body and mind and find their tranquility. Cadets were very determined during the session .

Best cdt group discussion  competition

Nominated best cadets started their day with the group discussion competition ,where each cadet performed their best with tgeir respective given topics , cadets encouraged the morning spirit with the their interaction.

JD/JW shooting

Junior cadets went for firing as their respective schedule , the were trained as responsible cadets

Communication classes for JD/JW

“As NCC cadets, we must practice speaking confidently, listening actively, and understanding each other.”

Lecture on CPR ( Theory /practicals)

Cadets went for their respective classes which was on the topic of CPR. cadets were acknowledged with important fictions and features of human respiratory system , the NDRF team carrued out very important CPR practicals with help of dummy victims/ patient.

6)The day ended with roll call , NCC song and national anthem, showing prosperity, integrity and patriotism as responsible cadets .

7) Post sessions dance practice .

After all classes and decision got over ,cadets were asked to gather by the hall for cultural dance practice.

About The Author